RICHA

KRISHNA

Designer & Creative Director at

perception design laboratory

(sake of 1)

º1

r & D

photo by yoram savion & alexandria chin

Creative Director of

perception design laboratory

(sake of 1)

º1

r & D

RICHA

KRISHNA

photo by yoram savion & alexandria chin

Sakem is a design & research lab investigating perception of the self.

Sakem is a design & research lab investigating perception of the self.

SAKEM LABS BRAND

Sakem Labs Heart

BIOMIMETIC HEART

Sakem Labs Moonhole Architecture Model

MOONHOLE ARCHITECTURE MODEL

Sakem Labs "Optimal" Dance Film

"OPTIMAL" SHORT FILM

Sakem Labs Marble Ritual Element Render

MARBLE RITUAL ELEMENT

Sakem Labs Marble Lectern Technical Drawings

MARBLE LECTERN

Sakem Labs Bioresponsive Garment

BIORESPONSIVE GARMENT

Sakem Labs Yoga Biometric Research Graph

N=1 STUDY ON YOGA + BIOMETRICS

Richa Krishna Sakem Labs

I trained in ballet on the pre-professional track for over a decade. It was an intense practice in embodiment, and the foundation for an unceasing inquiry into movement and the body. My training came to an abrupt end when I was given exercise restrictions that were life-saving but disorienting. I shifted from living with a nuanced awareness of my body to needing numbers to tell me what was safe.


The cultural context was Silicon Valley—I grew up with startups being built in my living room. I became a close user of wearable technology, which evolved into leading Pulse, the R&D of a wearable that gives people with cardiac restrictions real-time feedback to safely optimize their physical activity. I continued developing Pulse at the USC Iovine & Young Academy, where I earned a B.S. in Design, Technology, and Business in an intimate cohort of creative misfits. I had the opportunity to contribute product design and strategy to projects with Apple, Adidas, Samsung, Mattel, Harvard Business Publishing, the American Heart Association, and the USC Convergent Science Institute in Cancer.


I was designing for greater visibility into the body through new form factors of body-computing technologies. But in practice, I had become progressively disconnected from my body. I am deeply drawn to the feeling of intense physical movement, but intense physical movement was causing me harm. So I had learned to stop trusting what I felt and trust the technologies instead.


I committed the following years to research driven by the survival instinct to return to my body—studying what science understands now about the mind-body connection, and what contemplative traditions have long understood about perception of the body and the self. This work has included a 500-hour yoga training in Rishikesh, India, a Vipassana meditation training in the lineage of S.N. Goenka, and a Spiritual Architecture course out of Bologna, Italy.


Sakem is a child of direct experience. It is home to work that is exploratory in medium and focused in inquiry, grounded in curiosities that are timeless to humanity.

I trained in ballet on the pre-professional track for over a decade. It was an intense practice in embodiment, and the foundation for an unceasing inquiry into movement and the body. My training came to an abrupt end when I was given exercise restrictions that were life-saving but disorienting. I shifted from living with a nuanced awareness of my body to needing numbers to tell me what was safe.


The cultural context was Silicon Valley—I grew up with startups being built in my living room. I became a close user of wearable technology, which evolved into leading Pulse, the R&D of a wearable that gives people with cardiac restrictions real-time feedback to safely optimize their physical activity. I continued developing Pulse at the USC Iovine & Young Academy, where I earned a B.S. in Design, Technology, and Business in an intimate cohort of creative misfits. I had the opportunity to contribute product design and strategy to projects with Apple, Adidas, Samsung, Mattel, Harvard Business Publishing, the American Heart Association, and the USC Convergent Science Institute in Cancer.


I was designing for greater visibility into the body through new form factors of body-computing technologies. But in practice, I had become progressively disconnected from my body. I am deeply drawn to the feeling of intense physical movement, but intense physical movement was causing me harm. So I had learned to stop trusting what I felt and trust the technologies instead.


I committed the following years to research driven by the survival instinct to return to my body—studying what science understands now about the mind-body connection, and what contemplative traditions have long understood about perception of the body and the self. This work has included a 500-hour yoga training in Rishikesh, India, a Vipassana meditation training in the lineage of S.N. Goenka, and a Spiritual Architecture course out of Bologna, Italy.


Sakem is a child of direct experience. It is home to work that is exploratory in medium and focused in inquiry, grounded in curiosities that are timeless to humanity.

foundation in

product Design



solutions for the body

foundation in

product Design



solutions for the body

foundation in

product Design



solutions for the body

foundation in

product Design



solutions for the body

2017-2023

2017-2023

Richa Krishna Pulse Cardiac Health Wearable

Pulse: cardiac health wearable

Pulse: cardiac health wearable

Richa Krishna Pulse Cardiac Health Wearable

wearable epipen

wearable epipen

Richa Krishna Ballet Pointe Sock Product Design

ballet pointe sock

ballet pointe sock

Richa Krishna Workshop Stool Product Design

workshop stool

workshop stool

Apple Watch Ultra

interactive design @ apple

interactive design @ apple

Richa Krishna Brain Cancer Care App Product Design

BRAIN CANCER CARE APP

BRAIN CANCER CARE APP

art,


not design.


for expression, not solution.

art,


not design.


for expression, not solution

art,


not design.


for expression, not solution

art,


not design.


for expression, not solution

Richa Krishna Dance Photo by Alaric Ma

movement

movement

Richa Krishna Photography of Lydia Wu

photography

photography

Richa Krishna Ceramic Sculpture Brain

sculpture

sculpture

be in touch.

be in touch.

be in touch.

Richa Krishna
Richa Krishna
Richa Krishna
Richa Krishna
Richa Krishna
Richa Krishna
Richa Krishna
Richa Krishna
Richa Krishna